Luce (2019) - Critic Reviews - Page 2 of 2

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Review of Luce (2019)

By Justin Chang (1,535) for Los Angeles Times (12,977) on 31 Jul 2019

Luce has a lot on its mind, and its desire to provoke and disturb is far from unwelcome…

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Review of Luce (2019)

By Benjamin Lee (469) for The Guardian (2,969) on 26 Apr 2019

A tense, knotty puzzle ... It’s a drama that moves like a thriller…

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Review of Luce (2019)

By Jordan Ruimy (242) for The Playlist (3,871) on 04 Feb 2019

Luce is a dangerous minefield and simply crackles with the kind of distressing pressure that is beginning to define America in every conversation…

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Review of Luce (2019)

By Jake Howell (10) for The Film Stage (3,162) on 01 Feb 2019

This film, ultimately, is a major work of contemporary American cinema: complex, beguiling, and full of meaty discussion points that will challenge…

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Review of Luce (2019)

By Peter Debruge (1,557) for Variety (12,700) on 01 Feb 2019

The film is sleek and shadowy, benefiting from the fact Onah chose to shoot on celluloid and driven by stellar performances across the board…

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Review of Luce (2019)

By Tomris Laffly (460) for TheWrap (3,203) on 01 Feb 2019

The suspense is perhaps a tad elongated, and the film’s risky, ambiguous handling of a #MeToo case is dangerously open to misinterpretation…

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Review of Luce (2019)

By Eric Kohn (1,203) for IndieWire (3,631) on 01 Feb 2019

The filmmaker sticks close to the theatrical roots of the material, sometimes stumbling on wordy, overzealous monologues that might land better…

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Review of Luce (2019)

By Stephen Whitty (1,794) for Screen International (2,241) on 01 Feb 2019

Anchored by standout performances by Naomi Watts, Octavia Spencer and young Kelvin Harrison Jr., it’s a strong indie film about race, family…

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Review of Luce (2019)

By Matthew Passantino (89) for Film Threat (5,156) on 01 Feb 2019

Luce is a quiet stunner, ready to unnerve you in unexpected ways…

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Review of Luce (2019)

By John Defore (1,351) for The Hollywood Reporter (7,050) on 01 Feb 2019

Teasing the viewer with ambiguous evidence is one thing, but the film doesn't seem to know what truth is behind the curtain…

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