Review of Love & Gelato (2022) by Teo Bugbee for The New York Times — 23 Jun 2022
It’s the kind of film that is more interested in the appeal of a good Italian accent than it is in finding novel, or even particularly beautiful, ways to shoot and see Rome. The conscious callowness is agreeable, but it lacks freshness, like a midnight pasta reheated in the microwave.
You can read the full review where it was originally posted online.
This review of Love & Gelato (2022) was written by Teo Bugbee and published by The New York Times on 23 Jun 2022.
Love & Gelato has generally received mixed reviews.
Was this review helpful?
Yes
No
