Love After Love (2018) - Movie Reviews - Page 2 of 3

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Review of Love After Love (2018)

By Katie Walsh (1,279) for Los Angeles Times (12,977) on 04 Apr 2018

It's a viewing experience that's challenging, unflinching and deeply honest…

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Review of Love After Love (2018)

By Jonah Jeng (4) for The Film Stage (3,162) on 04 Apr 2018

In joy as well as in pain, life is both momentous and mundane. Love After Love gets this, and as a result, it feels like truth…

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Review of Love After Love (2018)

By Chris B (2,902) on 02 Apr 2018

For all the outstanding performances, the movie is not successful as a whole…

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Review of Love After Love (2018)

By Danielle Solzman (397) for Solzy at the Movies (339) on 01 Apr 2018

Andie MacDowell [displays] one of the best performances of her career…

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Review of Love After Love (2018)

By Kate B (2) on 31 Mar 2018

This may technically be good, but it was certainly not enjoyable to watch…

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Review of Love After Love (2018)

By James D (1,507) on 31 Mar 2018

This may technically be good, but it was certainly not enjoyable to watch…

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Review of Love After Love (2018)

By David Rooney (943) for The Hollywood Reporter (7,050) on 31 Mar 2018

Elegant and unsentimental, this is a minor-key, wintry ensemble piece with an emotional hold that sneaks up on you…

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Review of Love After Love (2018)

By Nick Schager (2,294) for Variety (12,700) on 30 Mar 2018

Bolstered by superb lead turns from Chris O’Dowd and Andie MacDowell, as well as a formal structure that enhances the roiling emotions propelling…

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Review of Love After Love (2018)

By David Edelstein (2,124) for New York Magazine (Vulture) (3,519) on 29 Mar 2018

The performances could hardly be better — with the exception of O’Dowd, who’s good but maybe needed to find just one redeeming moment…

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Review of Love After Love (2018)

By Nell Minow (2,357) for RogerEbert.com (5,563) on 29 Mar 2018

This first-time feature from writer/director Russell Harbaugh has an understated, intimate, pointillist style, with a cool jazz score that…

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Review of Love After Love (2018)

By James Berardinelli (4,524) for ReelViews (4,523) on 29 Mar 2018

First-time director Russell Harbaugh presents grief as it is, in all its pain and ugliness, rather than using the convenient, uplifting short-hand…

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Review of Love After Love (2018)

By Jeannette Catsoulis (1,537) for The New York Times (9,847) on 28 Mar 2018

Elegantly shot on film by Chris Teague, the movie feels unforced and at times shockingly authentic, allowing its emotions to percolate and…

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Review of Love After Love (2018)

By Carson Lund (88) for Slant Magazine (8,298) on 28 Mar 2018

In every scene, the film's cutting is dictated by the turbulent pace of the characters' inner lives…

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Review of Love After Love (2018)

By Roger Moore (6,008) for Movie Nation (3,875) on 28 Mar 2018

Co-writer/director Russell Harbaugh has created a chamber tragedy, intimate in its dimensions, devastating in the damage we see spiral out…

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Review of Love After Love (2018)

By Sam Weisberg (60) for Village Voice (8,525) on 27 Mar 2018

Harbaugh, with his subtle approach, renders this trio likable. He knows just when to burrow the camera in for jittery effect and when to relent…

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Review of Love After Love (2018)

By David Ehrlich (1,229) for Indiewire (3,631) on 27 Mar 2018

In its way, this small, handcrafted, and immaculately well-realized feature challenges the limited way that movies tend to depict loss…

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Review of Love After Love (2018)

By Alan Ng (404) for Film Threat (5,156) on 27 Mar 2018

You'll want to watch Love After Love because it's something different…

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Review of Love After Love (2018)

By Andrew Karpan (12) for Film School Rejects (1,198) on 08 Jan 2018

Rarely have I watched a movie, hated it with an intense malevolence for every person involved and, then, only then, found myself blinking through…

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Review of Love After Love (2018)

By Liz B (280) on 22 Jun 2017

Disappointing. Good acting but characters just not very relatable, and strange pacing…

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Review of Love After Love (2018)

By Francesca R (14) on 22 Jun 2017

Disappointing. Good acting but characters just not very relatable, and strange pacing…

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