Review of Lords of Dogtown (2005) by Pablo M — 05 Jul 2010

Dogtown and Z-Boys was a hugely successful documentary chronicling a group of wild skateboarders in Venice Beach, California in 1970s. Naturally, Hollywood got interested and wanted to make a fictional version (because hey, no one watches docs, right?) with Fred Durst (of Limp Bizkit fame) directing and David Fincher producing. Fortunately, someone came to their senses and Durst was out with Fincher taking over but the budget for his vision was too large. So, the studio opted for a low budget take with independent film darling Catherine Hardwicke, fresh from the success of Thirteen, taking over as director. In an effort to keep it real, Stacy Peralta, who made the Z-Boys doc, wrote the screenplay for Lords of Dogtown and worked closely with Hardwicke in order to remain true to what he and his friends went through all those years ago.

Thankfully, the film's producers didn't raid the WB cabinet for the young cast. Instead, they got Hirsch (from The Girl Next Door), Victor Rasuk (from indie fave Raising Victor Vargas) and John Robinson (from Gus Van Sant's Elephant) who have some actual acting chops but not a high enough profile so as to distract. They disappear into their roles as does, surprisingly, high profile actor, Heath Ledger. He does an excellent job of becoming his character, one of the Zephyr skate shop owners who is a burnt out drunk but has vision and tries to protect his team of young skaters.

The trailers for this movie totally misrepresented it as an over-processed, heavily-edited piece of lunchmeat. Instead, Lords of Dogtown perfectly evokes the times it depicts with unerring authenticity. It portrays skaters as they were back then - stylish and below the radar, just before the sport took off to the wildly popular institution that it is now.

Lords of Dogtown shows how fame eventually broke up the Z-Boys. It was inevitable. These kids came from nothing and were suddenly thrust into the spotlight and thrown all kinds of money at them. Alva and Peralta became hugely popular and went corporate, constantly competing with each other while Adams stayed true to his roots and walked away from it all because he was in it for the love of skating and the thrill of the ride. This film will bring back a lot of memories for people who grew up and skated during these years, making this movie more than just a simple retread of the Z-Boys documentary.

The worst thing maybe of the whole movie is Hirsch very over the top performance, but yet again this movie is good, thanks in a big way to Ledger.

Something that needs to be clear, is that this is not completely truthful, but in either way is a great way to see how skateboading became what it is today . . . .