This exacting and sumptuous restoration of Max Ophüls's last film, from 1955, recovers not just the movie's look but also its meaning.
You can read the full review where it was originally posted online.
This review of Lola Montès (1955) was written by Richard Brody and published by New Yorker on 10 Feb 2014.
Lola Montès has generally received positive reviews.
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