Review of Logan Lucky (2017) by Richard Brody for New Yorker — 27 Aug 2017
In Logan Lucky, Soderbergh, for all his felicitous exertions, falls back on a certain artistic facility. This doesn’t mean that the film was easy to make; it means that Soderbergh relies on what he knows rather than wandering off into what he doesn’t.
He knows a lot, and it shows; his pleasure in sharing it is substantial.
You can read the full review where it was originally posted online.
This review of Logan Lucky (2017) was written by Richard Brody and published by New Yorker on 27 Aug 2017.
Logan Lucky has generally received positive reviews.
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