Logan (2017) - Critic Reviews - Page 16 of 19

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Review of Logan (2017)

By Mikel Zorrilla (231) for Espinof (390) on 20 Feb 2017

A sensational film worthy of having a special place next to titles as 'Unbreakable', 'The Incredibles' and 'The Dark Knight'. [Full review in Spanish]…

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Review of Logan (2017)

By Matt Prigge (853) for Metro (930) on 20 Feb 2017

At the end of the day it's still just a comic book movie bragging about how it's no typical comic book movie. Yes, and…

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Review of Logan (2017)

By Brian Orndorf (4,059) for Blu-ray.com (2,093) on 20 Feb 2017

An interesting meditation on life and death, periodically interrupted by excessive, skin-slashing, bone-snapping ultraviolence…

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Review of Logan (2017)

By Julian Roman (454) for MovieWeb (460) on 19 Feb 2017

Logan is a dark and thrilling finale for Wolverine. Director James Mangold brings stark realism to the comic genre…

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Review of Logan (2017)

By Joseph Walsh (276) for The Skinny (809) on 18 Feb 2017

Mangold has open-heartedly embraced the use of violence, but this is light years away from the tongue-in-cheek gore-fest of Deadpool…

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Review of Logan (2017)

By Chris Sawin (379) for Examiner.com (1,617) on 18 Feb 2017

Logan is the mercilessly barbaric Wolverine film you have always wanted chock full of blood, gore, and extreme vulgarity even South Park would…

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Review of Logan (2017)

By Roger Moore (6,008) for Movie Nation (3,875) on 18 Feb 2017

Logan is a bloody and noble finale to Jackman’s turn with the sideburns and metal claws…

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Review of Logan (2017)

By Jake Cole (292) for Slant Magazine (8,298) on 17 Feb 2017

It recognizes that the thinly veiled secret of Wolverine’s loner act is that he’s always been a cog of some kind…

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Review of Logan (2017)

By Dan Jolin (289) for Empire (3,446) on 17 Feb 2017

When it comes to playing a properly magnetic anti-hero with a gruff ’70s-cinema exterior and a dark reservoir of inner depth, Jackman really…

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Review of Logan (2017)

By Peter Bradshaw (3,667) for The Guardian (2,969) on 17 Feb 2017

The heart of the movie is the unexpectedly poignant relationship between Xavier and Logan: I’d be tempted to call them the Steptoe and Son…

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Review of Logan (2017)

By Rene Rodriguez (1,781) for Miami Herald (3,319) on 17 Feb 2017

In Logan, the clawed mutant Wolverine finally gets to slash through the constraints of a kid-friendly PG-13 rating, and the result is bloody,…

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Review of Logan (2017)

By Matt Singer (625) for ScreenCrush (954) on 17 Feb 2017

It’s a mature consideration of the ideas underpinning its comic-book motifs…

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Review of Logan (2017)

By Sandy Schaefer (333) for ScreenRant (1,013) on 17 Feb 2017

X-Men movie franchise connections aside, Logan is a grisly and somber character drama that sends off Hugh Jackman's Wolverine on a high note…

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Review of Logan (2017)

By Allyson Johnson (161) for The Young Folks (1,024) on 17 Feb 2017

From the very first shot to the very last, every frame feels perfectly rendered and absolutely necessary to the narrative trajectory…

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Review of Logan (2017)

By Pablo Villaça (1,590) for Cinema em Cena (1,589) on 17 Feb 2017

Although it's a super-hero movie, Logan is not about action, but about characters and their relationships. [Full review in Portuguese.]…

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Review of Logan (2017)

By Sean O'connell (919) for CinemaBlend.com (1,378) on 17 Feb 2017

By grounding the film's action, and painting on a relatively small-scale canvas, 'Logan' raises the bar on the types of stories you can tell…

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Review of Logan (2017)

By Tasha Robinson (753) for The Verge (432) on 17 Feb 2017

The weight of graphic, grotesque violence hangs over the entire movie…

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Review of Logan (2017)

By Scott Chitwood (152) for ComingSoon.net (2,031) on 17 Feb 2017

Logan is a great addition to the X-Men films and it should please adult fans of the series…

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Review of Logan (2017)

By Richard Lawson (539) for Vanity Fair (761) on 17 Feb 2017

Mangold gives our grumpy old friend quite a send-off, a blood-drenched stab-a-thon that frequently hits bone…

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Review of Logan (2017)

By Matt Goldberg (248) for Collider (1,032) on 17 Feb 2017

Mangold confidently places the film in the context of a neo-Western, painting Logan and Professor X as two men who have been left behind by…

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