Review of Locke (2014) by Anthony Lane for New Yorker — 04 May 2014
The movie's greatest asset by far is Hardy, whose rich, unflappable tones, even in times of high emotional pressure, bear a distinct echo of Richard Burton ...
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This review of Locke (2014) was written by Anthony Lane and published by New Yorker on 04 May 2014.
Locke has generally received positive reviews.
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