Review of Little Women (2019) by Wendy Ide for The Observer (UK) — 29 Dec 2019
By encouraging a merry chaos of overlapping personalities and performances – restructuring the timeline into a multilayered playground where the child and adult stories interact – and subtly foregrounding existing themes of female fulfilment and the economics of creativity, Gerwig creates something that is true to its roots and bracingly current.
You can read the full review where it was originally posted online.
This review of Little Women (2019) was written by Wendy Ide and published by The Observer (UK) on 29 Dec 2019.
Little Women has generally received very positive reviews.
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