Review of Little Women (2019) by Anthony Lane for The New Yorker — 26 Dec 2019
The movie’s outward gaze is radical, no question, yet it refuses to scorn the comforts — of ingrained habits, and of home — that are honored by the conservative imagination. Such equipoise is almost as rare in cinema as it is, God knows, in politics, and right now, though we can’t foretell whether time will be cruel or kind to Gerwig’s Little Women, it may just be the best film yet made by an American woman.
You can read the full review where it was originally posted online.
This review of Little Women (2019) was written by Anthony Lane and published by The New Yorker on 26 Dec 2019.
Little Women has generally received very positive reviews.
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