Review of Little Caesar (1931) by Richard Brody for New Yorker — 06 Sep 2015
LeRoy's coldly efficient direction-due less to his own artistry than to the constraints of sound recording in its first years-imposes a static rigor on the action and lends the actor's diction and gestures a sculptural, granitic force.
You can read the full review where it was originally posted online.
This review of Little Caesar (1931) was written by Richard Brody and published by New Yorker on 06 Sep 2015.
Little Caesar has generally received positive reviews.
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