Review of Letters to Max (2014) by Leo Goldsmith for Cinema Scope — 10 Nov 2017
In Letters to Max, the cinema itself serves as a time machine: a vehicle for nostalgia, for reconstructing the past(s) and places lost, but also for accessing a time and place that have not yet arrived.
You can read the full review where it was originally posted online.
This review of Letters to Max (2014) was written by Leo Goldsmith and published by Cinema Scope on 10 Nov 2017.
Letters to Max has generally received mixed reviews.
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