Review of Les Misérables (2012) by Michael Phillips for Chicago Tribune — 20 Dec 2012
The camera bobs and weaves like a drunk, frantically. So you have hammering close-ups, combined with woozy insecurity each time more than two people are in the frame. Twenty minutes into the retelling of fugitive Valjean, his monomaniacal pursuer Javert, the torch singers Fantine and Eponine and the rest, I wanted somebody to just nail the damn camera to the ground.
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This review of Les Misérables (2012) was written by Michael Phillips and published by Chicago Tribune on 20 Dec 2012.
Les Misérables has generally received positive reviews.
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