Review of Le Samouraï (1967) by Pascal V — 03 May 2011

A strong performance by Alain Delon, along with elaborate art direction and sharp cinematography, create a flaunting work that deserves approval as one of Jean-Pierre Melville's best works. I particularly notice a tendency in the the film to contain every scene in a continuance, similar to Japanese style in filmmaking.

The film also pays homage to American noir, depicted by the hideous, ambiguous motive of the characters and the world they dwelt in. Other than these, however, the film still lacks of originality and available explanation for the action of the characters.

What makes the Superintendent exceptionally want to catch Costello? What is the true nature of Costello's relationship with Jane? The character is brought interestingly, but unfortunately the audience is not allowed to know his past.

This holds the curiosity only before the screen; it's never got in too deep.