Review of Le Samouraï (1967) by Penelope Gilliatt for New Yorker — 14 Jan 2013
Cold, masterly, without pathos, and not even particularly sympathetic; it has the noble structure of accuracy.
You can read the full review where it was originally posted online.
This review of Le Samouraï (1967) was written by Penelope Gilliatt and published by New Yorker on 14 Jan 2013.
Le Samouraï has generally received very positive reviews.
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