Review of Le Amiche (1955) by A.o. Scott for New York Times — 17 Jun 2010
The expressive elegance of Antonioni's camera movements -- the way he glides around a scene, composing and recomposing the human figures within it to suggest psychological patterns and unacknowledged erotic connections -- still has the power to amaze.
You can read the full review where it was originally posted online.
This review of Le Amiche (1955) was written by A.o. Scott and published by New York Times on 17 Jun 2010.
Le Amiche has generally received positive reviews.
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