L'Argent (1983) - Movie Reviews - Page 5 of 5

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Review of L'Argent (1983)

By Leo Goldsmith (118) for Not Coming to a Theater Near You (268) on 19 Sep 2005

Bresson is not often noted for his engagement with social issues, but in fact his films consistently address the physical and spiritual effects…

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Review of L'Argent (1983)

By Jeremy Heilman (393) for MovieMartyr.com (391) on 11 Jun 2005

The ending, most of all, shows Bresson's ability to find an alternate route to grace, given the circumstances…

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Review of L'Argent (1983)

By Harry C (92) on 09 Jun 2005

Summer: Every time I watch a Rohmer, I fall in love. Lancelot & L'Argent: Bresson... Totally impressive…

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Review of L'Argent (1983)

By Jeffrey M. Anderson (3,573) for Combustible Celluloid (2,644) on 29 May 2005

As others have pointed out, it does not feel like the work of a man in his 80s…

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Review of L'Argent (1983)

By Water C (4) on 28 May 2005

I wrote a long review of [i]Bresson's [/i][b]Pickpocket[/b] but accidentally erased it. oh well...see it…

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Review of L'Argent (1983)

By Dennis Schwartz (5,456) for Ozus' World Movie Reviews (5,456) on 14 May 2005

A powerful and harrowing film that renews one's faith that modern cinema can bring to light what no other medium can do in the same way…

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Review of L'Argent (1983)

By Frederic And Mary Ann Brussat (3,072) for Spirituality and Practice (3,072) on 18 Aug 2004

Based on a novella by Tolstoy, this French film offers an elegant study of money…

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Review of L'Argent (1983)

By Gabe Leibowitz (202) for Film and Felt (184) on 21 Jul 2003

Bresson's obsessive leg and arm shots force us to use our imaginations; there are no eyes to tell us what the characters are feeling…

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Review of L'Argent (1983)

By Sam Jordison (17) for Film4 (1,522) on 23 May 2003

This unique and meticulous work of art makes a fitting swansong for a cinematic genius…

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Review of L'Argent (1983)

By Marjorie Baumgarten (1,950) for Austin Chronicle (7,653) on 10 Mar 2003

Many critics regard it as the very best film of the Eighties…

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Review of L'Argent (1983)

By Adrian Miles (1) for Senses of Cinema (66) on 05 Jun 2001

Sacred cause and action is outside of reason, this is one of its sacred aspects, and will always remain mysterious…

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