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Last updated: 18 Jun 2026 at 02:34 UTC

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Review of by Miles S — 10 May 2008

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Bresson's last film certainly doesn't stray far from the rest of his ouvre. His own brand of minimalism had long been perfected, and with L'Argent Bresson is truly looking for a new dramatic form.

The acting, as always, is quite wooden, but with Bresson it suits the films existential tones perfectly. It's like Camus on film. My one fault with the story is it's total cause-and-effect narrative, every plot element tracing itself back to a single moment.

It's still quite amazing, however.

This review of L'Argent (1983) was written by on 10 May 2008.

L'Argent has generally received very positive reviews.

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