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Last updated: 18 Jul 2026 at 19:17 UTC

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Review of by Mick Lasalle for San Francisco Chronicle — 12 Aug 2004

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In this one masterpiece, Federico Fellini achieved the ideal balance -- between social observation and unconscious imagery, between artistic discipline and freedom, and between the neo-realism of 1950s Italian cinema and the orgiastic flights of his later work.

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This review of La Dolce Vita (1960) was written by and published by San Francisco Chronicle on 12 Aug 2004.

La Dolce Vita has generally received very positive reviews.

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