Review of Kissed (1996) by John T — 29 Aug 2008

Sandra is a necrophile, and Kissed is not an exploitation film. That'Â?Â?s not to say it isn't frank in its depiction of Sandra'Â?Â?s sexual preferences - there'Â?Â?s at least one raw scene that renders her genuine affection for the dead - um..."bare"; however, Kissed is brave for unflinchingly taking on a taboo subject. It'Â?Â?s braver for resisting the temptation to vilify Sandra or pander to its audience with patent sensationalism. Conflict arises for Sandra when she allows fellow med-school student Matt to court her. Sandra'Â?Â?s predilection is no secret - she confesses as much to Matt on their first date - and Matt believes her. Initially, he'Â?Â?s curious and inquisitive; however, the reality of purpose behind Sandra's nocturnal sojourns to her place of employment overwhelms him.

The minimalist vocal score is notable for effectively lending a psychologically Gothic romanticism to the proceedings. Sandra wants you to see that her lifestyle is unexceptional and matter-of-fact; however, she can'Â?Â?t resist an occasional defensive lapse: explaining herself in voice-over narration -Â?Â? justifying to the viewer her deference for the dead. Whether or not her self-aware anticipation of viewer judgment is a character strength or weakness is subject for debate. Ultimately, Kissed requires its viewers to set aside their prejudices and take Sandra's necrophilia for granted - at face value. Consequently, only the open-minded need apply.