King Kong (1933) - Movie Reviews - Page 33 of 33

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Review of King Kong (1933)

By Steven D. Greydanus (674) for Decent Films Guide (519) on 11 Feb 2006

One of those mad movies, like Moulin Rouge…

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Review of King Kong (1933)

By Jeffrey M. Anderson (3,573) for Combustible Celluloid (2,644) on 17 Dec 2005

It's one of the rare, great works of art that stands up to endless repeated viewings, each time revealing something new…

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Review of King Kong (1933)

By John A. Nesbit (472) for Old School Reviews (429) on 10 Dec 2005

Charming fantasy continues to hold up and is a treasure trove of special effects that continue to inspire…

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Review of King Kong (1933)

By Maryann Johanson (2,701) for Flick Filosopher (2,694) on 07 Dec 2005

This movie is part of why I'm so twisted today, and not just because of how that door and the hellish promise of what it hid teased its way…

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Review of King Kong (1933)

By John Mcgowan-Hartmann (1) for Senses of Cinema (66) on 06 Dec 2005

The continuing success of King Kong is due not only to its spectacular special effects, but also to the exemplary economy with which the filmmakers…

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Review of King Kong (1933)

By Matt Brunson (2,422) for Creative Loafing (2,337) on 30 Nov 2005

In much the same manner as The Wizard of Oz and It's a Wonderful Life, it long ago entered into the national consciousness as an enduring part…

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Review of King Kong (1933)

By Scott Weinberg (1,998) for DVD Clinic (72) on 30 Nov 2005

One of the finest adventure movies ever made and the true prototype for all monster movies to follow, KING KONG is, even after 83 years, still…

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Review of King Kong (1933)

By John J. Puccio (1,217) for Movie Metropolis (1,779) on 13 Nov 2005

stands as an innovative trailblazer, to be sure, but mostly it continues to be just plain fun…

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Review of King Kong (1933)

By Alex Sandell (357) for Juicy Cerebellum (357) on 16 Jan 2005

It's gonna be hard for Jackson to top this one…

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Review of King Kong (1933)

By Christopher Null (908) for Filmcritic.com (3,164) on 22 May 2004

There are very few works of cinema that stand up to repeated viewings and decades of changing film mores and audience expectations…

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Review of King Kong (1933)

By Greg Muskewitz (87) for eFilmCritic.com (5,125) on 21 Feb 2004

Still to this day it doesn't come off as cheesy and that's because the filmmakers never approached it as such…

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Review of King Kong (1933)

By Irene Thirer (10) for New York Daily News (5,623) on 30 Aug 2003

King Kong, as spectacular a bolt of celluloid as has thrilled audiences in a couple of sophisticated seasons, is the product of a number of…

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Review of King Kong (1933)

By Bryant Frazer (316) for Bryant Frazer's Deep Focus (294) on 29 Jul 2003

King Kong exemplifies a sort of personal expressiveness and cinematic mysticism that's all the more awesome for its apparent outmodedness…

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Review of King Kong (1933)

By Luis Martinez (274) for Cinenganos (252) on 19 May 2002

King Kong es el termómetro obligado con el que se miden todas las películas de monstruos gigantes; desde los voraces velociraptors hasta…

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Review of King Kong (1933)

By Almar Haflidason (66) for BBC.com (1,500) on 12 Jun 2001

King Kong was created to grip and thrill like no movie before, and these basic principles hold surprisingly true today…

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Review of King Kong (1933)

By Tim Dirks (207) for Tim Dirks' The Greatest Films (207) on 01 Jan 2000

The greatest classic adventure-fantasy (and part-horror) film of all time is King Kong (1933). Producers/directors Merian C…

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Review of King Kong (1933)

By Mark Chalon Smith (16) for Los Angeles Times (12,977) on 23 Feb 1986

The story, like Frankenstein and Dracula, has taken on the significance of a modern folk tale, layered with obvious moralizing and as familiar…

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Review of King Kong (1933)

By Kim Newman (791) for Empire (3,446) on 04 Oct 1963

None of the humans not even scream queen Wray can compete with Kong. But the film remains a perfect star vehicle…

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Review of King Kong (1933)

By Dave Kehr (1,442) for Chicago Reader (7,190) on 31 Dec 1957

Willis O'Brien did the stop-action animation for this 1933 feature, which is richer in character than most of the human cast…

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