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Last updated: 04 Jun 2026 at 12:35 UTC

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Kin (2018) - Critic Reviews - Page 3 of 4

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Review of Kin (2018)

By Rafer Guzman (1,080) for Newsday (2,345) on 29 Aug 2018

Random ideas, vague characters, stolen plot-points -- this thing barely qualifies as a movie…

Review of Kin (2018)

By Dennis Harvey (1,137) for Variety (12,700) on 29 Aug 2018

The results are, in artistic terms, a modest success…

Review of Kin (2018)

By Gary Wolcott (857) for KXL-FM (Portland, OR) (39) on 29 Aug 2018

Billed as science-fiction, it's more about brother-bonding. Once the sci-fi gets there, it is sometimes in the way of a much better movie…

Review of Kin (2018)

By Phil Villarreal (1,289) for ABC Tucson (117) on 29 Aug 2018

The plot is tied together so loosely that just about anything goes…

Review of Kin (2018)

By Jake Coyle (526) for Associated Press (1,685) on 29 Aug 2018

For a movie centered on brotherhood, it’s remarkably empty of any sense of kinship…

Review of Kin (2018)

By Jonathan W. Hickman (551) for Daily Film Fix (355) on 29 Aug 2018

An unconvincing mishmash of genre tropes that never takes advantage of obvious retro elements that might have endeared the movie with nostalgic…

Review of Kin (2018)

By Daniel M. Kimmel (1,403) for New England Movies Weekly (716) on 29 Aug 2018

[It] wastes a talented cast in a road movie tarted-up with some superficial science fiction trappings…

Review of Kin (2018)

By Mark Dujsik (2,093) for Mark Reviews Movies (2,037) on 29 Aug 2018

Eli's decision is much less about which role model he'll follow. It's much, much more about whether or not he'll be able to kill a bunch of goons…

Review of Kin (2018)

By Chris Bumbray (988) for JoBlo's Movie Emporium (1,959) on 29 Aug 2018

Feels very streaming TV, but well acted and modestly entertaining with a few dynamic moments…

Review of Kin (2018)

By Ty Burr (2,612) for Boston Globe (6,852) on 29 Aug 2018

Truitt's quiet wariness is the finest thing in a movie full of good acting…

Review of Kin (2018)

By James Berardinelli (4,524) for ReelViews (4,523) on 29 Aug 2018

At times dull and plodding and at other times cartoonishly silly, Kin rarely works and, when it does, it’s often for the wrong reasons…

Review of Kin (2018)

By Mark Feeney (434) for Boston Globe (6,852) on 29 Aug 2018

So, yeah, Kin is a bit of a biker movie, too. More important, it’s also a family drama…

Review of Kin (2018)

By Marjorie Baumgarten (1,950) for Austin Chronicle (7,653) on 29 Aug 2018

This mash-up of family drama and science fiction is a pleasant but unconvincing adventure with strong adolescent appeal and music by Mogwai…

Review of Kin (2018)

By Brian Orndorf (4,059) for Blu-ray.com (2,093) on 28 Aug 2018

A few dramatic dead-ends don't bring Kin down, as most of the feature finds fresh ways to cover old business…

Review of Kin (2018)

By David Lewis (299) for San Francisco Chronicle (7,630) on 28 Aug 2018

Kin is not a snoozer, at least, and the Baker brothers are certainly not untalented, but their genre-mashing experiment doesn’t work on any…

Review of Kin (2018)

By Edward Douglas (1,395) for The Weekend Warrior (71) on 28 Aug 2018

Kin is proof positive that people who play too many video games shouldn't be allowed to make feature-length films…

Review of Kin (2018)

By Julian Roman (454) for MovieWeb (460) on 28 Aug 2018

Kin is that rare combination of science fiction and suspense that truly holds your attention throughout…

Review of Kin (2018)

By Jake Cole (292) for Slant Magazine (8,298) on 28 Aug 2018

Jonathan and Josh Baker's Kin, a feature that comprises little more than an extended introduction to its characters, resembles a TV pilot that's…

Review of Kin (2018)

By Jacob Knight (117) for Birth.Movies.Death. (774) on 28 Aug 2018

Josh and Jonathan Baker's feature length expansion on their acclaimed sci-fi short is big on SFX, but lacks in almost every other department…

Review of Kin (2018)

By Todd Gilchrist (762) for TheWrap (3,203) on 28 Aug 2018

It never feels complete or thought through enough, either as a story or more crucially, an emotional experience — which is exactly what audiences…

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