Review of Keyboard Fantasies (2021) by Jen Yamato for Los Angeles Times — 01 Nov 2021
Beyond Glenn-Copeland’s magnetic onstage presence and rich, sonorous, still-flawless vocals, it’s the candid moments in which he dances to the music, riffs on spontaneous beats in between sets and shares meals on the sidewalk with his younger bandmates that leave a hopeful grace note on Glenn-Copeland’s legacy.
You can read the full review where it was originally posted online.
This review of Keyboard Fantasies (2021) was written by Jen Yamato and published by Los Angeles Times on 01 Nov 2021.
Keyboard Fantasies has generally received positive reviews.
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