Review of Kansas City (1996) by Brian R — 15 Nov 2011
I pefered this film then Altman's "Thieves Like Us" which was also set in the depression era of the 1930. "Kansas City" doesn't care so much on the plot but rather on the characters but I was particularly more interested in the jazz players, and a "Godfather" type played by Harry Belefonte.
Altman seems to not want to use his usually skilled trademarks. There is seldom use of overlapping dialogue although there is a good sense of closeness between blacks and whites within Kansas City, Altman's authentic detail to the 1930's, and his great use of editing, cutting between the main characters, and the jazz players.
One of the best scenes show two jazz artist going against one another and afterwods respecting each other's craft. Steve Buscemi's character reminds me of one of the characters in "Gangs Of New York" getting all the people to vote. This picture is not Altman's best film but I still enjoyed it thanks to a strong performance from Belefonte, and well, again the period and the music.
This review of Kansas City (1996) was written by Brian R on 15 Nov 2011.
Kansas City has generally received mixed reviews.
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