Review of Judy (2019) by Richard Brody for The New Yorker — 26 Sep 2019
Zellweger’s singing here passes through to the other side. Suddenly, Zellweger herself seems to pass over to the other side of the character, to come out from behind the curtain and reveal that the cabaret performer and singer in question isn’t Judy Garland but Renée Zellweger, and has been all along.
She leaves the movie behind, where it belongs, and heads off on her own, by herself.
You can read the full review where it was originally posted online.
This review of Judy (2019) was written by Richard Brody and published by The New Yorker on 26 Sep 2019.
Judy has generally received positive reviews.
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