Review of Joji (2021) by Richard Brody for The New Yorker — 30 Nov 2021
Long before the plot is resolved, Joji offers a sardonic vision of patriarchal tyranny and the pathologies it spawns—and the obvious artifice of the ending declares, with bitter irony, that there’s no end in sight.
You can read the full review where it was originally posted online.
This review of Joji (2021) was written by Richard Brody and published by The New Yorker on 30 Nov 2021.
Joji has generally received very positive reviews.
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