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Last updated: 18 Jul 2026 at 10:18 UTC

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Review of by Roger Ebert for Chicago Sun-Times — 29 Apr 1986

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The photography is undeniably beautiful, but there comes a point when we've had too many mountains and too little plot. All that holds the movie together is the screen persona of Eastwood, who is so convincingly tight-lipped that sometimes you have the feeling he knows what's going on and just won't tell.

You can read the full review where it was originally posted online.

This review of Joe Kidd (1972) was written by and published by Chicago Sun-Times on 29 Apr 1986.

Joe Kidd has generally received mixed reviews.

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