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Jane Fonda in Five Acts (2018) - Movie Reviews - Page 2 of 2

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Review of Jane Fonda in Five Acts (2018)

By Roger Moore (6,008) for Movie Nation (3,875) on 21 Sep 2018

Lacy’s impressively thorough film forces anybody willing to watch it to reconsider her, measure her life’s work and legacy against that…

Review of Jane Fonda in Five Acts (2018)

By Brian Lowry (913) for CNN.com (607) on 20 Sep 2018

Hearing extensively from Fonda -- at 80, vibrant, defiant and introspective -- is more than worth it, as she discusses the various lifetimes…

Review of Jane Fonda in Five Acts (2018)

By Nell Minow (2,357) for RogerEbert.com (5,563) on 20 Sep 2018

Fonda’s own interviews are candid and insightful…

Review of Jane Fonda in Five Acts (2018)

By Susan G. Cole (137) for NOW Toronto (1,621) on 19 Sep 2018

The filmmaking in this doc may be conventional, but there's nothing conventional about its subject…

Review of Jane Fonda in Five Acts (2018)

By Gary Goldstein (1,089) for Los Angeles Times (12,977) on 19 Sep 2018

All in all, Jane Fonda in Five Acts proves a captivating, extremely well-told and crafted, decidedly fitting tribute to a Hollywood legend,…

Review of Jane Fonda in Five Acts (2018)

By Jazz Tangcay (23) for Awards Daily (23) on 19 Sep 2018

It's not until you sit down to watch Susan Lacy's new HBO documentary Jane Fonda: In Five Acts do you truly appreciate everything she has accomplished…

Review of Jane Fonda in Five Acts (2018)

By Kristen Lopez (178) for The Young Folks (1,024) on 09 Sep 2018

What Lacy focuses on is the struggle one woman went through to avoid being what men wanted her to be and, by extension, what society wanted her to be…

Review of Jane Fonda in Five Acts (2018)

By Alonso Duralde (1,351) for TheWrap (3,203) on 23 Aug 2018

Hers is a lot of life to try to capture in one movie, but Jane Fonda in Five Acts certainly covers her emotional arc with thoroughness and compassion…

Review of Jane Fonda in Five Acts (2018)

By Sheri Linden (962) for The Hollywood Reporter (7,050) on 23 Aug 2018

Notwithstanding the talking-head commentary of friends, colleagues and exes, this is very much a first-person story, taking its narrative cues…

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