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Jackie (2016) - Critic Reviews - Page 3 of 16

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Review of Jackie (2016)

By Rob Gonsalves (1,031) for eFilmCritic.com (5,125) on 12 Jun 2017

For the most part ... Jackie keeps things clear and preserves its subject's sadness in amber…

Review of Jackie (2016)

By Daniel Krauze (120) for El Financiero (125) on 10 Apr 2017

A look at a woman who uses the cameras to transmit the version that suits her…

Review of Jackie (2016)

By Rain Jokinen (125) for SFist (94) on 23 Mar 2017

As a whole, the movie is very cold. Director Pablo Larraín shoots much of it in a very controlled, almost Kubrickian way…

Review of Jackie (2016)

By Giovanni Fazio (51) for Japan Times (198) on 22 Mar 2017

This is essentially asking us to celebrate the birth of spin in modern politics…

Review of Jackie (2016)

By Candice Frederick (452) for Reel Talk Online (378) on 22 Mar 2017

A movie that is as brilliant as it is frustrating…

Review of Jackie (2016)

By Sebastian Zavala Kahn (303) for En Lima Agenda Cultural (3) on 15 Mar 2017

Jackie is a great recreation of a very important time and context, but it didn't stimulated me emotionally or intellectually as much as I would…

Review of Jackie (2016)

By Dan Webster (147) for Spokesman-Review (Washington) (147) on 15 Mar 2017

Larraín is an artist, and his skills show throughout, both in his ability to meld so many different sequences into a narrative whole and in…

Review of Jackie (2016)

By Ali López (22) for Butaca Ancha (324) on 14 Mar 2017

Jackie may not be the highest point in the career of the Chilean filmmaker, but there's enough material on the film to avoid going unnoticed…

Review of Jackie (2016)

By Marija Djurovic (345) for Cairo360 (405) on 13 Mar 2017

While the movie may not sit well with those looking for perhaps a more conventional Hollywood approach to biopics, it is worth seeing for Ms…

Review of Jackie (2016)

By Diane Pershing (77) for Malibu Times (77) on 09 Mar 2017

What a tense, absorbing, startling film it is. Natalie Portman is simply astounding…

Review of Jackie (2016)

By Sean Axmaker (1,564) for Seanax.com (387) on 09 Mar 2017

The emotions are muted, suggested in gestures and details, as is the drama…

Review of Jackie (2016)

By María Fernanda Mugica (26) for La Nación (Argentina) (226) on 09 Mar 2017

The center of the whole film is Jackie and neither the witty narrative nor Larraín's staging would have worked were if not for Natalie Portman's…

Review of Jackie (2016)

By Diego Battle (52) for Otroscines.com (322) on 07 Mar 2017

The result of the film is in some ways a bit disconcerting, but - beyond certain moments dominated by coldness and calculation - it's still…

Review of Jackie (2016)

By John Hanlon (483) for John Hanlon Reviews (327) on 05 Mar 2017

Distinct and sensitive, this unique feature offers an emotional and enthralling look at the former first lady…

Review of Jackie (2016)

By John Serba (472) for MLive.com (475) on 03 Mar 2017

Jackie is artful when it needs to be heartful; its overly ambitious visual dramatics are often a glass wall between Portman and the audience…

Review of Jackie (2016)

By Hugo Hernández Valdivia (119) for Cinexcepción (119) on 02 Mar 2017

The director shows us the mourning as a staging, but doesn't condemn, shows; criticizes and also builds bridges for compassion…

Review of Jackie (2016)

By Nandini Ramnath (221) for Scroll.in (342) on 27 Feb 2017

As a tightly controlled exploration of the pageantry of grief, Jackie works very well, even when the stylisation tips into excess and the close-ups…

Review of Jackie (2016)

By Maya Caspari (2) for Another Gaze (53) on 27 Feb 2017

Jackie, the first English-language film by Chilean director Pablo Larraín, offers a compellingly uneasy and nuanced portrait of one of the…

Review of Jackie (2016)

By Jorge Ayala Blanco (45) for El Universal (183) on 27 Feb 2017

A film that questions the show within the show, opening up to unpublished meditations and contexts, to continue surviving adversity and internal…

Review of Jackie (2016)

By Soumya Srivastava (39) for Hindustan Times (753) on 27 Feb 2017

Portman does a stellar job of drawing out all the hundred emotions of sadness, grief and hopelessness that one would have thought are humanly…

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