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Irreversible (2002) - Movie Reviews - Page 40 of 43

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Review of Irreversible (2002)

By Rob Gonsalves (1,031) for eFilmCritic.com (5,125) on 23 Sep 2007

Noe is a confrontational master, no question…

Review of Irreversible (2002)

By Jason Gorber (520) for Film Scouts (224) on 20 Jun 2007

The film is almost unwatchable at the beginning, but the chaos and horror of the swinging camera stabilizes, the film becomes more structured…

Review of Irreversible (2002)

By Johno (12) on 11 Apr 2007

At the film's conclusion I was just left asking myself what the point was…

Review of Irreversible (2002)

By David Edelstein (2,124) for Slate (2,081) on 19 Mar 2007

The 12 scenes of Irreversible--each shot in a single, semi-improvised take--constitute something of a tour de force…

Review of Irreversible (2002)

By Michael Wilmington (1,474) for Chicago Tribune (6,211) on 25 Dec 2006

What's wrong is the decision to let all the actors improvise their lines...At the end, Irreversible looks less like captured or even distorted…

Review of Irreversible (2002)

By Jules Brenner (885) for Cinema Signals (847) on 21 Nov 2006

Me? I'm going to go watch The Brady Bunch to wash these images out of mind…

Review of Irreversible (2002)

By Dan Wible (1) for Film Threat (5,156) on 18 Nov 2006

Let me set the record straight: Gaspar Noé is the real deal. Is he excessive? Yes. Manipulative? Sure. Pretentious? Absolutely…

Review of Irreversible (2002)

By Owen Gleiberman (3,271) for Entertainment Weekly (6,953) on 07 Sep 2006

After a while, a didactic overdeliberateness seeps into Noé's design, but there's no doubt that he's a new kind of dark film wizard: a poet…

Review of Irreversible (2002)

By D.cabral (1) on 16 Apr 2006

Bad. Not a Drama genre, more like horror exploitation like Last House on the Left…

Review of Irreversible (2002)

By Tylerc. (15) on 11 Apr 2006

This is just simply a horrible french remake of Momento, which came out a year before this stupid film did, and was a hundred times better…

Review of Irreversible (2002)

By S. James Wegg (203) for JWR (201) on 10 Oct 2004

film does make one point beautifully: no matter which way a story is told, a bad script cannot be salvaged…

Review of Irreversible (2002)

By Mark Sells (183) for Oregon Herald (104) on 12 Aug 2004

You'll leave the theater wishing the two hours you spent were not so irreversible…

Review of Irreversible (2002)

By Josh Gilchrist (44) for rec.arts.movies.reviews (2,454) on 08 Mar 2004

While Noé's vision can seem unrelentingly sadistic and sexist, the film's raw emotion keeps it afloat…

Review of Irreversible (2002)

By Moira Sullivan (52) for Movie Magazine International (27) on 29 Sep 2003

The detached clinical methodical style of some reptilian film critics since its release scrutinize the positioning of the camera in the rape…

Review of Irreversible (2002)

By Rod Gudino (4) for Rue Morgue Magazine (29) on 03 Sep 2003

Irreversible is I Spit On Your Grave for the intellectual set…

Review of Irreversible (2002)

By Scott Tobias (1,684) for The A.V. Club (5,644) on 10 Jul 2003

There are strong ideas at play in Noé's undeniably audacious and technically stunning second feature, which goes as far as any film can in…

Review of Irreversible (2002)

By Charlie Brown (11) for FilmStew.com (638) on 03 Jun 2003

While this movie does not encourage repeat viewing, those film fans who can steel their emotions will experience a singular film that will…

Review of Irreversible (2002)

By Philip Martin (1,107) for Arkansas Democrat-Gazette (1,391) on 18 May 2003

not a great film, and not an easy one to watch, but it is an important one, a powerful argument against our old ways of doing business…

Review of Irreversible (2002)

By Terry Lawson (645) for Detroit Free Press (942) on 08 May 2003

Extremely difficult to endure, and if you choose to endure it, it could leave you feeling angry and upset…

Review of Irreversible (2002)

By Matt Brunson (2,422) for Creative Loafing (2,337) on 24 Apr 2003

By spinning his tale in reverse order, Noe has come up with a thought-provoking drama that's more than just a gimmick…

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