Review of Into the Night (1985) by Dave Kehr for Chicago Reader — 08 Jan 1987

In the early scenes, Landis and Goldblum work hard to make the character's depression dramatically real, and this infusion of gravity in a generally weightless genre brings a new meaning to the standard action scenes.

But the idea vanishes around the midway mark—at about the point when the sun comes up—and the balance of the film is thin and familiar.