Interview (2007) - Critic Reviews - Page 2 of 2

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Review of Interview (2007)

By Ty Burr (2,612) for Boston Globe (6,852) on 01 Nov 2010

One comes away from Interview exhausted and a little unclean, entertained by the acting equivalent of a pit bull fight but needing a hose-down…

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Review of Interview (2007)

By Andrew O'hehir (1,324) for Salon.com (2,725) on 10 Oct 2010

Whatever we may make of van Gogh's life and death, Buscemi's talky, stagey Interview -- the first of three van Gogh adaptations planned by…

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Review of Interview (2007)

By Desson Thomson (1,673) for Washington Post (9,851) on 30 Apr 2010

Unfortunately, Buscemi's film conveys the spirit of its source material but doesn't make a satisfying transmogrification out of its homage…

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Review of Interview (2007)

By Manohla Dargis (1,909) for The New York Times (9,847) on 04 Mar 2010

Vaporous and chilled to freezing, Interview lacks a single honest moment, but it does have plenty of diverting ones…

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Review of Interview (2007)

By Marc Mohan (821) for Portland Oregonian (2,019) on 02 Jan 2010

While the subject matter is certainly American enough, it seems possible the original had a bit more depth…

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Review of Interview (2007)

By Nathan Rabin (1,078) for The A.V. Club (5,644) on 16 Dec 2009

The Interview is mannered, implausible, and stagy, but queasily compelling all the same…

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Review of Interview (2007)

By Roger Ebert (5,190) for Chicago Sun-Times (7,580) on 22 May 2009

I found Interview kind of fascinating, especially in the ways that Buscemi and Miller make their performances into commentaries on the types…

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Review of Interview (2007)

By Jack Mathews (1,044) for New York Daily News (5,623) on 30 Jan 2008

The first of three planned remakes of Dutch films by the late Theo van Gogh, Steve Buscemi's Interview takes the most unnatural act in human…

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Review of Interview (2007)

By Jim Ridley (126) for Village Voice (8,525) on 03 Nov 2007

The result, though anchored mostly to a single set cleverly sectioned by hammocks, curtains, and a kitchen bar, is the least concrete and most…

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