Review of Interstellar (2014) by David Denby for The New Yorker — 03 Nov 2014
Black holes, relativity, singularity, the fifth dimension! The talk is grand. There’s a problem, however. Delivered in rushed colloquial style, much of this fabulous arcana, central to the plot, is hard to understand, and some of it is hard to hear.
The composer Hans Zimmer produces monstrous swells of organ music that occasionally smother the words like lava. The actors seem overmatched by the production.
You can read the full review where it was originally posted online.
This review of Interstellar (2014) was written by David Denby and published by The New Yorker on 03 Nov 2014.
Interstellar has generally received very positive reviews.
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