Review of Interiors (1978) by Alvin Y — 15 Jul 2012

Interiors, Great Movies.

*Interiors* is one of Woody Allen's strong and quite films that, like most, is multi-layered. On the surface layer it presents an inside look at a dysfunctional family that is coming to terms with themselves, the divorce of their parents, and finally the death of their mother. Under this quite, but strikingly sorrowful first layer is a second layer of insight of considerably more importance. The underlayer is about the interaction of the principal characters and how they attempt to manipulate each other in generally destructive patterns that are even now becoming more and more prevalent in our socioeconomic culture. Not surprisingly, this film should be included as part of the curriculum for medical residents working towards the specialty of Psychiatry. It is definitely a film about the destructive and continuing decaying family structure with which we are becoming more and more aware. It is not a film about morality, so important an issue in the 80s and 90s in some of Allen's films, but about the simple misunderstanding of parenting in families that leave so many in our society emotionally crippled.

The result is seen in the three daughters, representing the generations of bored and depressed young and middle aged, middle class people that spend great amounts of time and money trying to prove to themselves that they are happy and cope with the idea of real happiness that has eluded them. Of the films that will survive as anthropological glimpses of the 20th and possibly 21st Centuries in the United States, this film will be on the short list, or on the much better Great Movies list!

NOTE: Usually, Allen's films starts and ends with credits and a jazz music, *Interiors* doesn't have any music during the start and end credits at all, that's truly rare in his movies, and after watching the movie, you can see why.