Review of Inglourious Basterds (2009) by Nedryerson1 — 17 Sep 2012

Inglourious Basterds is an exciting film and that is not a surprise because is a Tarantino creation, so we can notice all the things that are repeated in his filmography. First we have the desire for revenge, represented by Shosanna; here we notice the famous persistent and meticulous job of Beatrix Kiddo, and the sarcastic and dedicated work of Jules Winnfield with Vincent Vega; the shocking thing is that it all occurs at one time in one place, rather than the search that we saw on Kill Bill and Pulp Fiction.

Second, is visible the minimalism characteristic of Tarantino, because he shows too much with little things and express a few with big things. For example: in the dialogue between Coronel Landa and Mr. LaPadite about the rats, what we actually see is a way of changing a whole ideology about what people think of Nazis and Jews; in contrast, when all the important Nazis are gadder in the cinema, and Shosanna with Marcel execute their plan, we see an enormous disaster, but is nothing more than vengeance.

Finally, the classic fragmented reality is very well developed. Tarantino put us on his labyrinth and force us to solve his puzzle. The only failure of this film is that all the fragments (chapters) are order by time, nothing is timeless, and the development is one direction; in the other Tarantino pictures we move forward, then travel to the past and then finish in the present, preparing to jump to another time again; and that could enrich a lot Inglourious Basterds.

The direction, music and script are just perfect and Christoph Waltz is astonishing.