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Last updated: 27 Jun 2026 at 23:01 UTC

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Review of by David Edelstein for New York Magazine (Vulture) — 25 Mar 2014

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Even more than his other genre mash-ups, this is a switchback journey through Tarantino’s twisted inner landscape, where cinema and history, misogyny and feminism, sadism and romanticism collide and split and re-bond in bizarre new hybrids.

The movie is an ungainly pastiche, yet on some wacked-out Jungian level it’s all of a piece.

You can read the full review where it was originally posted online.

This review of Inglourious Basterds (2009) was written by and published by New York Magazine (Vulture) on 25 Mar 2014.

Inglourious Basterds has generally received very positive reviews.

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