Review of Infamous (2006) by Anthony Lane for The New Yorker — 29 Jan 2017
Jones gets everything--the gestures, the generosity, the mean streak, the bending of the ear to recitals of woe, whether across a lunch table or a prison cell. He even nails the voice, like that of a chorister caught running a racket with the incense.
You can read the full review where it was originally posted online.
This review of Infamous (2006) was written by Anthony Lane and published by The New Yorker on 29 Jan 2017.
Infamous has generally received positive reviews.
Was this review helpful?
Yes
No
