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Last updated: 09 Jul 2026 at 01:21 UTC

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Review of by Conor C — 21 Apr 2016

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A very engaging and provocative movie that deals with multiple themes like racial prejudice, discrimination, carelessness of law and loneliness all engulfed inside a central crime thriller plot. What works even better is the character development which is elevated even beautifully by Rod Steiger's masterful performance. While the additional layers are well written and even well executed, the central plot lacks the required thriller element partially due to emotional disconnect with the victim, leisure progress of this plot and way too many distractions.

Officer Sam Wood (Warren Oates) comes across a deceased body of a rich business man on the road during his scheduled patrol in the night. He duly informs Chief Gillespie (Rod Steiger) who takes over and orders Sam to keep a check on some usual notorious places. Sam finds a black man with a fat purse waiting to get on a train. Coming from a racist southern town, Sam duly hauls the black man to the station without even questioning him marking him as a prime suspect. When the chief finds the black man Virgil Tibbs (Sidney Poitier) to be a police officer from North and that too one of the best Homicide experts, he reluctantly requests his help in turn mounting the wrath of the town on him.

It is a movie with extreme highs and a moderate lows. While the conversations between Rod Steiger and Sidney Poitier are electrifying, the general behavior of the town is provocative and many external plot elements inducing the required urgency for a thriller, the general progression of the central plot is hampered by a leisure screenplay and too many distractions. The climax revelation needed to be a lot more intelligent given the buildup. Rod Steiger's Academy win is one the most unconventional and well deserved I have come across. Apart from Rod Steiger, Sidney Poitier and briefly by Lee Grant and Larry Gates, the host of other supporting characters performances were too ordinary.

Some of the memorable scenes that impressed me.

1) Tibbs consoling Mrs. Colbert.

2) Tibbs altercation with Endicott and Chief Gillespie's response to that.

3) Chief Gillespie's personal confession about loneliness.

4) Climax parting scene.

The complex premise and masterful performances elevates the simple dull plot.

This review of In the Heat of the Night (1967) was written by on 21 Apr 2016.

In the Heat of the Night has generally received very positive reviews.

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