Review of In the Cut (2003) by David Denby for The New Yorker — 24 Jun 2017
As a movie, it must stand or fall by intense chemistry between the lead characters. Sadly, as co-written by Campion and Moore, In the Cut suffers from a fatal emotional and erotic imbalance.
You can read the full review where it was originally posted online.
This review of In the Cut (2003) was written by David Denby and published by The New Yorker on 24 Jun 2017.
In the Cut has generally received mixed reviews.
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