Review of Impulso (2018) by Ben Kenigsberg for The New York Times — 17 Oct 2018
The movie’s challenge is to bottle her spontaneity, which is clearly thrilling to behold in person but less dynamic in a medium that requires every move to be selected in advance, without the suspenseful bond that an artist shares with a live audience.
Belmonte gets caught between two modes of nonfiction filmmaking.
You can read the full review where it was originally posted online.
This review of Impulso (2018) was written by Ben Kenigsberg and published by The New York Times on 17 Oct 2018.
Impulso has generally received positive reviews.
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