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Last updated: 04 Jun 2026 at 21:04 UTC

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Review of by Sheila O'malley for RogerEbert.com — 15 Nov 2013

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Without being explicit, without being overtly angry, Kabakov's installations are a critique of the entire system, a critique leavened with irony, wit, and fantasy. It's powerful stuff. You go into Kabakov's labyrinths of associations and you don't come out.

You can read the full review where it was originally posted online.

This review of Ilya and Emilia Kabakov: Enter Here (2013) was written by and published by RogerEbert.com on 15 Nov 2013.

Ilya and Emilia Kabakov: Enter Here has generally received mixed reviews.

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