Human Flow (2017) - Movie Reviews - Page 5 of 6

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Review of Human Flow (2017)

By Jeanne Kaplan (738) for Kaplan vs. Kaplan (1,174) on 13 Oct 2017

Human Flow definitely provides the vehicle to promote the conversation regarding this growing crisis…

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Review of Human Flow (2017)

By Emily Yoshida (237) for New York Magazine (Vulture) (3,519) on 13 Oct 2017

Ai clearly wants to take a macro view of an impossible problem, to find some clarity in abstraction…

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Review of Human Flow (2017)

By Matt Fagerholm (98) for RogerEbert.com (5,563) on 12 Oct 2017

Though Donald Trump is never mentioned by name in all 140 minutes of Ai Weiwei’s new documentary, Human Flow, the picture is, quite simply,…

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Review of Human Flow (2017)

By Elizabeth Weitzman (1,905) for TheWrap (3,203) on 12 Oct 2017

The beauty of Ai’s epic imagery feels like a perpetual challenge: Are you looking? Are you listening? Are you responding…

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Review of Human Flow (2017)

By Alan Scherstuhl (679) for Village Voice (8,525) on 11 Oct 2017

You’re right not to trust a film critic who calls a movie “stunning.” But let me say this about Human Flow, the epic new documentary…

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Review of Human Flow (2017)

By Manohla Dargis (1,909) for The New York Times (9,847) on 11 Oct 2017

What Mr…

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Review of Human Flow (2017)

By Michael O'sullivan (1,712) for Washington Post (9,851) on 11 Oct 2017

Human Flow asks us, implicitly, why we seem to care so much about certain living creatures and not others…

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Review of Human Flow (2017)

By Joe Morgenstern (2,395) for Wall Street Journal (3,071) on 11 Oct 2017

If Human Flow has a chance of breaking through the noise and clutter of the media surround, it’s not because the demands Mr…

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Review of Human Flow (2017)

By Chris Barsanti (896) for Film Journal International (5,095) on 11 Oct 2017

Human Flow is possibly the most visually resplendent piece of nonfiction cinema you will see this year…

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Review of Human Flow (2017)

By Noel Murray (1,901) for The A.V. Club (5,644) on 10 Oct 2017

Ai’s approach occasionally tips too far toward aestheticizing a dire situation…

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Review of Human Flow (2017)

By Steve K (552) on 08 Oct 2017

Great movie, definitely worth seeing…

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Review of Human Flow (2017)

By Kate Taylor (347) for The Globe and Mail (Toronto) (4,018) on 04 Oct 2017

Human Flow ventures further into pure documentary than Ai's previous work in that field but it's still an art film, with a circular rhythm…

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Review of Human Flow (2017)

By Dennis H (128) on 16 Sep 2017

Ai Weiwei has become one of the better-known contemporary artists to western society, perhaps mainly due to his outspokenness of criticisms…

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Review of Human Flow (2017)

By Robbie Collin (1,612) for The Telegraph (1,120) on 08 Sep 2017

Human Flow makes a virtue of its vastness, creating an epic tapestry of souls that stretch from as far away as Syria, Kenya and Burma to the…

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Review of Human Flow (2017)

By Deborah Young (235) for The Hollywood Reporter (7,050) on 08 Sep 2017

Shot in 23 countries, the film has an amazing breadth and a relentless moral drive that will make it a reference point for this subject, whatever…

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Review of Human Flow (2017)

By John Bleasdale (289) for CineVue (2,163) on 08 Sep 2017

With its epic scale and global reach, Human Flow is a powerful testament to a shameful crime against humanity…

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Review of Human Flow (2017)

By Jordan Hoffman (1,025) for The Guardian (2,969) on 08 Sep 2017

This is an urgent, deep soak in the current refugee crisis…

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Review of Human Flow (2017)

By Lee Marshall (157) for Screen International (2,241) on 08 Sep 2017

This sprawling, meandering compendium of dispossessed people in transit is a profoundly human film, a heartfelt call to empathy, but also something…

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Review of Human Flow (2017)

By Jay Weissberg (182) for Variety (12,700) on 08 Sep 2017

Lost among the bulletins and traveling shots is any sense of the individuals whose distinctiveness is eliminated under the crushing word…

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Review of Human Flow (2017)

By Dave Calhoun (583) for Time Out (7,510) on 01 Sep 2017

Human Flow is rooted in specific current national and political situations, yet it offers a portrait of forced human movement and suffering…

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