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Last updated: 05 Jun 2026 at 19:55 UTC

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Review of by David Denby for New Yorker — 22 Nov 2011

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In Hugo, the hero has a terrifying dream, perhaps an unconscious recollection of that event. Reality, filmed illusion, and dreams are so intertwined that only an artist, playing merrily with echoes, can sort them into a scheme of delight.

You can read the full review where it was originally posted online.

This review of Hugo (2011) was written by and published by New Yorker on 22 Nov 2011.

Hugo has generally received very positive reviews.

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