Review of Hugo (2011) by G_Thomas_Boston — 24 Apr 2013

Hugo is directed by either Spielberg or Scorsese. I think it's Scorsese, but it felt like Spielberg. The film even had some John Williams-style big music, composed by Howard Shore (yeah, that's right! the saxophone player from the band Lighthouse!).

This fantasy is about a boy who lives in the walls of a Paris train station. Not since The Legend of 1900 have I heard of anything this screwy. Inside these walls are the guts of the station's clocks. The guts consist of cogs, gears, counterweights, pinions, springs, and inexplicably steam.

During the course of the film, we learn that Hugo is the dude that built C3PO (or some C3PO prototype). C3PO reveals to Hugo that the local old grump (played by Ben Kingsley) is in fact a forerunner to movie wizards like Spielsese or Scorberg.

Anyway, I saw this movie in regular old boring 2D. I didn't realize it was a 3D film until the scene where some pages with drawings go flying from the kids' hands and drift all over the screen. At first I was thinking, "What the hell is this all about? Am I supposed to be mesmerized by fluttering stationery?" Then I realized that this was intended to be seen in super-duper 3D. "Ahh," I thought, "Now I see. Ooooh, that would have been so cool to see all that paper flying around in 3D." We haven't witnessed anything like this in cinematic history since the famous bolo-bat scene in the 1953 film House of Wax.

Hugo does a lot of hiding and running, primarily from a train station cop played by Sacha Baron Cohen. Cohen's character is an amalgam of Inspectors Javert and Clouseau. He and his trusty Doberman Pinscher cannot seem to track down the elusive boy who knows the station and its walls like the inner workings of an automaton. During one climactic scene, Hugo gives the Inspector the slip by doing a Harold Lloyd impression from a clock tower.

Once the Inspector catches up with Hugo, they have a talk. During the conversation, the little urchin makes the Inspector laugh. The Inspector tells him that he's funny. Hugo then says, "I'm funny how? I mean funny like I'm a clown? I amuse you? I make you laugh, I'm here to f____n' amuse you? What do you mean funny? Funny how? How am I funny? What the f__k is so funny about me? Tell me, tell me what's funny!".

Wait a minute. I might me confused. That dialog might be from a different movie a real Scorcese film.

All in all, Hugo isn't such a bad movie. But in retrospect, I think I would have preferred watching the Harold Lloyd film, Safety Last.