Review of Huda's Salon (2022) by Anthony Lane for The New Yorker — 28 Feb 2022
It goes without saying that, like most of Abu-Assad’s films, especially Paradise Now(2005) and Omar(2014), Huda’s Salon is rubbed raw by the politics of the occupied territories; but somehow it doesn’t feel like an issue movie.
When Huda is onscreen, played with sublime command by Awad, the story becomes unremittingly about her.
You can read the full review where it was originally posted online.
This review of Huda's Salon (2022) was written by Anthony Lane and published by The New Yorker on 28 Feb 2022.
Huda's Salon has generally received positive reviews.
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