Review of How Green Was My Valley (1941) by Richard Brody for The New Yorker — 15 Jun 1984
Ford depicts a working-class solidarity based on morality, tradition, and community; he conveys his nuanced and tender sociology with surprising sound effects and expressionistic tableaux that feature the sort of angles that made Welles famous (and which the younger man borrowed, in turn, from Ford’s Stagecoach).
You can read the full review where it was originally posted online.
This review of How Green Was My Valley (1941) was written by Richard Brody and published by The New Yorker on 15 Jun 1984.
How Green Was My Valley has generally received very positive reviews.
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