Review of Hollywood Homicide (2003) by Dana Stevens for The New York Times — 07 May 2009
He (Ford) slips into the role as if it were a pair of well-worn loafers, the left inherited from Peter Falk, the right from Clint Eastwood, and then proceeds, with wry nonchalance, to tap-dance, shuffle and pirouette through his loosest, wittiest performance in years.
You can read the full review where it was originally posted online.
This review of Hollywood Homicide (2003) was written by Dana Stevens and published by The New York Times on 07 May 2009.
Hollywood Homicide has generally received mixed reviews.
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