Review of High Art (1998) by Bob Graham for San Francisco Chronicle — 08 Sep 2004
Cholodenko's strategy of having the actors, in every scene -- whether it involves Lucy, the boyfriend or the Frame editors -- perform with an intonational flatness approaching monotone pretentiously undermines the effectiveness of her subject matter.
You can read the full review where it was originally posted online.
This review of High Art (1998) was written by Bob Graham and published by San Francisco Chronicle on 08 Sep 2004.
High Art has generally received positive reviews.
Was this review helpful?
Yes
No
