Review of Here Before (2022) by Simon Abrams for RogerEbert.com — 11 Feb 2022
Sometimes, the suggestive nature of Gregg’s impressionistic mood piece—as well as a characteristically strong lead performance by Riseborough (Possessor, Mandy)—is enough to sustain one’s interest in Here Before.
Right up until Gregg lobs an unsettling and only partly satisfying twist at viewers and leaves us to work through our feelings on our own time.
You can read the full review where it was originally posted online.
This review of Here Before (2022) was written by Simon Abrams and published by RogerEbert.com on 11 Feb 2022.
Here Before has generally received positive reviews.
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