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Last updated: 06 Jun 2026 at 18:48 UTC

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Review of by Joe Pollack for St. Louis Post-Dispatch — 13 Feb 1996

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With his teddy bear appeal, it's not surprising that there was more magnetism between Selleck and the Baby in "Three Men" than there is between Selleck and grown-up babe Paulina Porizkova (though the two femmes fatales are similarly gifted).

And it doesn't help that this high-paid clotheshorse is a chilly beauty whose presence is as spare as her figure. It's hard for Selleck to look deeply into those far-focused mannequin eyes.

You can read the full review where it was originally posted online.

This review of Her Alibi (1989) was written by and published by St. Louis Post-Dispatch on 13 Feb 1996.

Her Alibi has generally received mixed reviews.

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